Wall-E Kinox

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Wall-E Kinox

Wall-E steht für „Waste Allocation Load Lifter — Earth-Class“ (auf deutsch: „Müll-​Sortierer-Lastenheber, Baureihe: Erde“), und genau darauf ist. Die Betreiber des Freudenberger Autokinos KinOX setzen auf Eventfilme und mehr Live-Konzerte – etwa mit der Philharmonie oder Andreas. Film "WALL·E – Der Letzte räumt die Erde auf ()" stream kinox. Ein Abenteuer eines RobotersJun. 22, Min.

Film "WALL·E - Der Letzte räumt die Erde auf (2008)" Deutsch Stream auf Kinos.su

Filme und Serien kostenlos streamen ursitoarebotezbucuresti.com movie4k ursitoarebotezbucuresti.com alternative ursitoarebotezbucuresti.com ursitoarebotezbucuresti.com Die Betreiber des Freudenberger Autokinos KinOX setzen auf Eventfilme und mehr Live-Konzerte – etwa mit der Philharmonie oder Andreas. Wall-E steht für „Waste Allocation Load Lifter — Earth-Class“ (auf deutsch: „Müll-​Sortierer-Lastenheber, Baureihe: Erde“), und genau darauf ist.

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Neregistrirani korisnik nemate pravo komentiranja. Pixar me opet ugodno iznenadio. Klasik animiranog filma. Ok filmic ali su mi ostali pixarovi filmovi mrvicu bolji.

Wall-e je presladak. Dodaj u Podsjetnik. Povezane vijesti. Fit Woman Planet Earth Luxe. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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DID YOU KNOW? Crazy Credits. Alternate Versions. Rate This. In the distant future, a small waste-collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Director: Andrew Stanton. Added to Watchlist. From metacritic. When I First Saw Myself Reflected on Screen. Editorial Lists Related lists from IMDb editors.

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Show HTML View more styles. Top Rated Movies 62 Won 1 Oscar. Edit Cast Cast overview, first billed only: Ben Burtt EVE voice Jeff Garlin Captain voice Fred Willard Shelby Forthright voice MacInTalk AUTO voice John Ratzenberger John voice Kathy Najimy To avoid having to do the messy part.

To avoid having relationships with other people or dealing with the person next to us. That's why we can all get on our cell phones and not have to deal with one another.

I thought, 'That's a perfect amplification of the whole point of the movie. Stanton noted many commentators placed emphasis on the environmental aspect of humanity's complacency in the film, because "that disconnection is going to be the cause, indirectly, of anything that happens in life that's bad for humanity or the planet".

The humans' artificial lifestyle on the Axiom has separated them from nature, making them "slaves of both technology and their own base appetites, and have lost what makes them human".

Dreher contrasted the hardworking, dirt covered WALL-E with the sleek clean robots on the ship. However, it is the humans and not the robots who make themselves redundant.

Humans on the ship and on Earth have overused robots and the ultra-modern technology. During the end credits, humans and robots are shown working alongside each other to renew the Earth.

It only argues that technology is properly used to help humans cultivate their true nature—that it must be subordinate to human flourishing, and help move that along.

Stanton, who is a Christian, [21] named EVE after the Biblical figure because WALL-E's loneliness reminded him of Adam , before God created his wife.

Dreher also noted this departure from classical Christian viewpoints, where Adam is cursed to labor, in that WALL-E argues hard work is what makes humans human.

Dreher emphasized the false god parallels to BnL in a scene where a robot teaches infants "B is for Buy n Large, your very best friend", which he compared to modern corporations such as McDonald's creating brand loyalty in children.

During writing, a Pixar employee noted to Jim Reardon that EVE was reminiscent of the dove with the olive branch from the story of Noah's Ark, and the story was reworked with EVE finding a plant to return humanity from its voyage.

The myth reminds us that art was born out of longing and often means more for the creator than the muse. In the same way Stanton and his Pixar team have told us a deeply personal story about their love of cinema and their vision for animation through the prism of all types of relationships.

WALL-E premiered at the Greek Theatre in Los Angeles on June 23, The film was dedicated to Justin Wright — , a Pixar animator who had worked on Ratatouille and died of a heart attack before WALL-E ' s release.

Walt Disney Imagineering WDI built animatronic WALL-Es to promote the picture, which made appearances at Disneyland Resort , [76] the Franklin Institute , the Miami Science Museum , the Seattle Center , and the Tokyo International Film Festival.

For this reason, they generally refused to have their puppets meet and greet children at the theme parks in case a WALL-E trod on a child's foot.

Those who wanted to take a photograph with the character had to make do with a cardboard cutout. The film was denied a theatrical release in China.

In , Jim Morris noted that the studio has no plans for a sequel, as they consider WALL-E a finished story with no need for continuation.

Small quantities of merchandise were sold for WALL-E , as Cars items were still popular, and many manufacturers were more interested in Speed Racer , which was a successful line despite the film's failure at the box office.

Thinkway, which created the WALL-E toys, had previously made Toy Story dolls when other toy producers had not shown an interest. The film was released on DVD and Blu-ray Disc by Walt Disney Studios Home Entertainment on November 18, The various editions included the short film Presto , another short film BURN-E which is about the lamp repairing robot briefly seen in WALL-E , the Leslie Iwerks documentary film The Pixar Story , shorts about the history of Buy n Large, behind-the-scenes special features, and a digital copy of the film that can be played through iTunes or Windows Media Player -compatible devices.

WALL-E was released on 4K Blu-ray on March 3, In the US and Canada, WALL-E opened in 3, theaters on June 27, The American Film Institute named WALL-E as one of the best films of ; [94] the jury rationale states:.

Not since Chaplin's " Little Tramp " has so much story—so much emotion—been conveyed without words. When hope arrives in the form of a seedling, the film blossoms into one of the great screen romances as two robots remind audiences of the beating heart in all of us that yearns for humanity—and love—in the darkest of landscapes.

The website's critical consensus reads, " Wall-E ' s stellar visuals testify once again to Pixar's ingenuity, while its charming star will captivate younger viewers—and its timely story offers thought-provoking subtext.

Richard Corliss of Time named WALL-E his favorite film of and later of the decade , noting the film succeeded in "connect[ing] with a huge audience" despite the main characters' lack of speech and "emotional signifiers like a mouth, eyebrows, shoulders, [and] elbows".

It "evoke[d] the splendor of the movie past" and he also compared WALL-E and EVE's relationship to the chemistry of Spencer Tracy and Katharine Hepburn.

Scott of The New York Times , Christopher Orr of The New Republic , Ty Burr and Wesley Morris of The Boston Globe , Joe Morgenstern of The Wall Street Journal , and Anthony Lane of The New Yorker.

Todd McCarthy of Variety called the film "Pixar's ninth consecutive wonder", saying it was imaginative yet straightforward. He said it pushed the boundaries of animation by balancing esoteric ideas with more immediately accessible ones, and that the main difference between the film and other science fiction projects rooted in an apocalypse was its optimism.

He said it had the "heart, soul, spirit and romance" of the best silent films. Honeycutt said the film's definitive stroke of brilliance was in using a mix of archive film footage and computer graphics to trigger WALL-E's romantic leanings.

He praised Burtt's sound design, saying "If there is such a thing as an aural sleight of hand, this is it. Roger Ebert of the Chicago Sun-Times named WALL-E "an enthralling animated film, a visual wonderment, and a decent science-fiction story" and said the scarcity of dialogue would allow it to "cross language barriers" in a manner appropriate to the global theme, and noted it would appeal to adults and children.

He praised the animation, describing the color palette as "bright and cheerful He said WALL-E was concerned with ideas rather than spectacle, saying it would trigger stimulating "little thoughts for the younger viewers.

The film was interpreted as tackling a topical, ecologically -minded agenda, [95] though McCarthy said it did so with a lightness of touch that granted the viewer the ability to accept or ignore the message.

He compared the humans to the patrons of Disney's theme parks and resorts , adding, "I'm also not sure I've ever seen a major corporation spend so much money to issue an insult to its customers.

Coffin and Jonah Goldberg although he admitted it was a "fascinating" and occasionally "brilliant" production.

A few notable critics have argued that the film is vastly overrated, [] claiming it failed to "live up to such blinding, high-wattage enthusiasm", [] and that there were "chasms of boredom watching it", in particular "the second and third acts spiraled into the expected".

Patrick J. Ford of The American Conservative said WALL-E ' s conservative critics missed lessons in the film that he felt appealed to traditional conservatism.

He argued that the mass consumerism in the film was not shown to be a product of big business , but of too close a tie between big business and big government : "The government unilaterally provided its citizens with everything they needed, and this lack of variety led to Earth's downfall.

He concluded, "By steering conservative families away from WALL-E , these commentators are doing their readers a great disservice.

Director Terry Gilliam praised the film as "A stunning bit of work. The scenes on what was left of planet Earth are just so beautiful: one of the great silent movies.

And the most stunning artwork! It says more about ecology and society than any live-action film—all the people on their loungers floating around, brilliant stuff.

Their social comment was so smart and right on the button. Archaeologists have commented on the themes of human evolution that the film explores.

He is shown facing a typological dilemma of classifying a spork as either a fork or spoon, and his nostalgic interest in the human past further demonstrated by his attachment to repeated viewings of the film Hello, Dolly!

Marwick notes that the film features major human evolutionary transitions such as obligate bipedalism captain of the spaceship struggles with the autopilot to gain control of the vessel and the invention of agriculture, as part of watershed moments in the story of the film.

According to Marwick, one prominent message of the film "appears to be that the envelopment by technology that the humans in Wall-E experience paradoxically results in physical and cultural devolution.

WALL-E won the Academy Award for Best Animated Feature and was nominated for Best Original Screenplay , Best Original Score , Best Original Song , Sound Editing , and Sound Mixing at the 81st Academy Awards , which it lost to Slumdog Millionaire Original Score, Original Song, Sound Mixing , The Dark Knight Sound Editing , and Milk Original Screenplay.

A reflective Stanton stated he was not disappointed the film was restricted to the Best Animated Film nomination because he was overwhelmed by the film's positive reception, and eventually "The line [between live-action and animation] is just getting so blurry that I think with each proceeding year, it's going to be tougher and tougher to say what's an animated movie and what's not an animated movie.

WALL-E made a healthy appearance at the various end-of-the-year awards circles, particularly in the Best Picture category, where animated films are often overlooked.

It has won the award, or the equivalent of it, from the Boston Society of Film Critics tied with Slumdog Millionaire , [] the Chicago Film Critics Association , [] the Central Ohio Film Critics awards, [] the Online Film Critics Society , [] and most notably the Los Angeles Film Critics Association , where it became the first animated feature to win the prestigious award.

It won Best Animated Feature Film at the 66th Golden Globe Awards , 81st Academy Awards, and the Broadcast Film Critics Association Awards At the British National Movie Awards , which is voted for by the public, it won Best Family Film.

In , Mike McMaster, [] an American robotics hobbyist, began working on his own model of WALL-E. The final product was built with more moving parts than the WALL-E which roams around Disneyland.

McMaster's four-foot robot made an appearance at the Walt Disney Family Museum and was featured during the opening week of Tested.

Since WALL-E's creation, Mike and the popular robot have made dozens of appearances at various events.

In the same year, Mike Senna completed his own WALL-E build. They were present at a photo op at Disney's D23 Expo From Wikipedia, the free encyclopedia.

This article is about the film. For the soundtrack, see WALL-E soundtrack. For the video game, see WALL-E video game.

Theatrical release poster. Andrew Stanton Jim Reardon. Andrew Stanton Pete Docter. Ben Burtt Elissa Knight Jeff Garlin Fred Willard John Ratzenberger Kathy Najimy Sigourney Weaver.

Jeremy Lasky Danielle Feinberg. Walt Disney Pictures Pixar Animation Studios. Release date. Running time. See also: WALL-E soundtrack. Further information: Pollution.

Main article: List of accolades received by WALL-E. American Film Institute. Retrieved March 11, The New York Times.

Retrieved January 12, Box Office Mojo. Retrieved December 30, June 27, September 7, Spring Jump Cut: A Review of Contemporary Media.

Retrieved November 16, October 16, Retrieved September 20, The Hugo Awards. Archived from the original on May 7, Retrieved April 22, Archived from the original on June 5, Retrieved September 4, Retrieved November 26, Retrieved November 3, Retrieved July 28, August 23, Retrieved October 19, Retrieved September 23, Walt Disney Pictures.

Archived from the original PDF on July 11, Retrieved July 19, Scene Audio commentary by Director Andrew Stanton.

Archived from the original PDF on March 6, Retrieved June 1, Animation World Network. Archived from the original on March 1, Retrieved November 23, The A.

Archived from the original on September 8, Retrieved February 19, The Vancouver Sun. Archived from the original on July 2, Retrieved July 21, Creative Screenwriting.

December 16, Retrieved January 4, Total Film. Oscar, Tear Down This Wall! Archived from the original on February 4, Retrieved January 26, USA Today.

Retrieved November 22, Archived from the original on February 8, Retrieved February 7, Today UCI. July 23, Archived from the original on July 26, Retrieved January 14, Retrieved November 4, Ain't It Cool News.

Rotten Tomatoes. Archived from the original on March 11, Retrieved November 27, Animation Art Conservation. Retrieved February 12, Archived from the original on April 12, Archived from the original Printable version on July 20, Retrieved February 14, Archived from the original on December 1, Archived from the original on June 26, San Francisco Chronicle.

Daily News. New York. Archived from the original on November 7, The Hollywood Reporter. Retrieved December 28, Los Angeles Times.

National Post. Archived from the original on July 22, The Arizona Republic. Associated Press. June 28, Pixar Planet. November 13, Archived from the original on March 5, September 16,

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Wall-E Kinox
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