gründeten die Musikhochschul-Absolventen und Stockhausen-Schüler Irmin Schmidt und Holger Czukay die Band Can, die in den Folgejahren zu einer. Brian Eno liebt sie, die Red Hot Chilli Peppers verehren sie und Johnny Rotten wollte bei ihnen mitsingen: Die Kölner Band Can wird von. Das ultimative Who's Who im Krautrock – von Can bis Novalis Die Mitglieder der Band "Can", (l-r) Irmin Schmidt, Jaki Liebezeit, Michael.
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For example, when preparing a soundtrack, only Irmin Schmidt wanted to see this movie, and then give the rest of the band a General description of the scene they will score.
This has assisted in the improvised soundtrack being successful both inside and outside of the context of the film.
Banks concerts are often melded spontaneous improvisation of this kind with songs appearing on their albums. The track "Colchester finale", appearing on the concert album includes the sections "Halleluhwah" into a composition lasting over half an hour.
Early concerts found Mooney and Suzuki often able to shock audiences. Actor David Niven was asked by Czukay what he thought about the concert, Niven replied: "It was great, but I dont know that it was music.
The group maintained their ability to collectively improvise with or without Central themes for hours, resulting in a large archive of performances.
Can made attempts to find a new vocalist after the departure of Damo Suzuki, although no one quite fit the position.
In , folk singer Tim Hardin took the lead vocalist and played guitar with one song, at two gigs, performing his own "the lady came from Baltimore".
Singer Ratnam Malaysian Thaiga Raj Raja played six dates with the group in the period January to March Another temporary vocalist, Englishman Michael cousins, went with May since March, France in April, Germany in Facebook Twitter.
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Trash Can Band — McG Band Nation. Can was a German experimental rock band formed in Cologne in by the core quartet of Holger Czukay bass, tape editing, Irmin Schmidt keyboards, Michael Karoli guitar, and Jaki Liebezeit drums.
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Mooney made his last recordings with Can in December  before returning to America around the end of the year on the advice of a psychiatrist, having been told that getting away from the chaotic music of Can would be better for his mental health.
Though he only knew a handful of guitar chords and improvised the majority of his lyrics as opposed to committing them to paper , Suzuki was asked to perform with the band that same night.
The band's first record with Suzuki was Soundtracks , released in , a compilation of music made for films that also contained two earlier tracks recorded with Mooney.
Suzuki's lyrics were usually in English, though sometimes in Japanese for example, in "Oh Yeah" and "Doko E". The next few years saw Can release their most acclaimed works.
While their earlier recordings tended to be at least loosely based on traditional song structures, on their mid-career albums the band reverted to an extremely fluid improvisational style.
The double album Tago Mago is often seen as a groundbreaking, influential and deeply unconventional record, based on intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing frequently intertwining , tape edits as composition, and Suzuki's idiosyncratic vocalisms.
Czukay: " Tago Mago was an attempt in achieving a mystery musical world from light to darkness and return. In the band composed the music for the three-part German-language television crime mini-series Das Messer "The Knife" , directed by Rolf von Sydow.
Tago Mago was followed in by Ege Bamyasi , a more accessible but still avant-garde record which featured the catchy " Vitamin C " and the Top 10 German hit "Spoon".
Czukay: "We could achieve an excellent dry and ambient sound It was followed by Future Days in , which represents an early example of ambient music , as well as including the pop song " Moonshake ".
Czukay: "'Bel Air' [the 20 minute-long track which took up the whole of side two on the Future Days original vinyl LP] showed Can in a state of being an electric symphony group performing a peaceful though sometimes dramatic landscape painting.
Suzuki left soon after the recording of Future Days to marry his German girlfriend, and become a Jehovah's Witness.
Soon Over Babaluma from continued in the ambient style of Future Days , yet it regained some of the abrasive edge of Tago Mago and Ege Bamyasi.
Shortly after the appearance Schmidt suffered a broken leg which led to cancellation of the band's UK tour. The later albums Landed and Flow Motion saw Can moving towards a somewhat more conventional style as their recording technology improved.
Accordingly, the disco single " I Want More " from Flow Motion became their only hit record outside Germany. Co-written by their live sound mixer Peter Gilmour, it reached No 26 in the UK charts in October , which prompted an appearance on Top of the Pops , where Czukay performed with a double bass.
In Can were joined by former Traffic bassist Rosko Gee and percussionist Rebop Kwaku Baah , both of whom provided vocals to Can's music, appearing on the albums Saw Delight , Out of Reach and Can During this period Czukay was pushed to the fringes of the group's activity due to disagreements about the band's creative direction and his failure as a bass guitarist to keep up with the growth of the other musicians.
Bass guitar was something Czukay had "taken up almost by default" and he readily admitted his limitations on the instrument.
He left Can in late and did not appear on the albums Out of Reach or Can , although he was involved with production work for the latter album.
The band seemed to be in a hiatus shortly afterwards, but reunions have taken place on several occasions since. Since the split, all the former members have been involved in musical projects, often as session musicians for other artists.
In they briefly reformed, with original vocalist Mooney, to record Rite Time released in There was a further reunion in by Karoli, Liebezeit, Mooney and Schmidt to record a track for the Wim Wenders film Until the End of the World and in August by Karoli, Liebezeit and Schmidt with Jono Podmore to record a cover of " The Third Man Theme " for Grönland Records ' compilation album Pop Can have since been the subject of numerous compilations, live albums and samples.
In , the band began a series of Super Audio CD remasters of its back catalog, which were finished in Michael Karoli died of cancer on 17 November ; Jaki Liebezeit died of pneumonia on 22 January , and Holger Czukay died of natural causes on 5 September ,  thus leaving Irmin Schmidt as the sole surviving consistent member of the group.
Holger Czukay recorded several ambient albums and collaborated with David Sylvian among others. Jaki Liebezeit played extensively with bassists Jah Wobble and Bill Laswell , with a drum ensemble called Drums of Chaos and in with Datenverarbeiter on the online album Givt.
Karoli formed Sofortkontakt! The band also featured Alexander Schoenert, Felix Guttierez of Jelly Planet , Thomas Hopf and Mandjao Fati.
Karoli also performed on numerous occasions with Damo Suzuki's Network. Damo Suzuki returned to music in and since then he has been playing live improvisational shows around the world with local musicians and members of touring bands at various points, sometimes issuing live albums.
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